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Mount and blade wiki instability series#

These petitions are composed of multiple sheets which are lap joined by adhesive. Continuation sheets in roll petitions can cover information that is located at the top or bottom of the pages. Earlier notations in archival material can be obscured by later notations applied on an overlap or attachment. Information may be obscured by an attachment, such as revisions in prints and collages. Whether Attachment Obscures Information/Includes Important Information (LP) In such cases, it may be possible to treat the object by removing the most damaging portions of the attachment (e.g., the adhesive) and returning the remainder (e.g., the carrier) to an object.

1961) consider the degradation of pressure-sensitive tapes used in their composite photographs to be the natural evolution of the work. For example, the Starn twins (American, b.

The attachments may be an integral part of an artifact, serving an aesthetic and/or structural purpose.

Other examples include: manuscripts or letters from well-known authors, historical or political figures where it is known that the writers made the mends themselves old master drawings with decorative borders contemporary with the drawing 19th century ship watercolors with metallic and decorative borders primitive American paintings and drawings with additions scrapbooks (MKW) attachments to mounts by famous collectors/curators wrappings from stored objects, e.g., time capsules (CS) attachments indicating former use, as in illustrations which bear periscope markings (registration marks) or gummed tape applied to the edges of a drawing, to indicate centering, cropping.

Mount and blade wiki instability series#

These collages served as studies for a series of prints where the masking tape was included as a design element. 1929), have certain elements attached with masking and/or other pressure-sensitive tapes. Collages, such as some by Claes Oldenburg (American, b. Artists may mount their own works onto secondary supports or other materials. The mounting technique and/or attachment may be integral to the object.Curatorial input may be crucial to give an historical and aesthetic perspective on techniques, working methods and materials of artists, collectors, curators, historical figures, librarians, archivists, etc. The conservator must weigh preserving an artifact by removing a damaging material such as a pressure-sensitive tape against maintaining the original appearance or format.Historical or Artistic Importance of Attachment

Hinge, Tape and Adhesive Removal Conservation/Curatorial Decision-making 3.1.1 Polyimide heaters used with variable transformer.3 Materials and Equipment Used in Treatment.2.7 Synthetic Polymer Adhesives, Tapes and Hinges.2.6 Heat-Activated Adhesives, Tapes, and Hinges.2.5 Acrylic-Based Pressure-Sensitive Adhesives, Tapes and Hinges.2.4 Pressure-Sensitive Adhesives, Tapes and Hinges.2.3 Proteinaceous Adhesives, Tapes and Hinges.2.2 Starch Adhesives, Tapes, and Hinges.2.1 Mucilage (Vegetable Gum) Adhesives, Tapes and Hinges.2 Reference List of Adhesives, Tapes, and Hinges.1.3 Treatment Options and Associated Risks.1.2 Evaluating Condition of Artifact and Attachment.1.1 Conservation/Curatorial Decision-making.